Electronic Press Kit — 2025 Eightfold Recordings

Solsten

Recording Artist  /  Electronic Music  /  Montréal, QC

"Dance Music for Our Post-Truth Reality"

Solsten press photo

Press photo — free for editorial use

About Solsten

Artist Biography

Solsten grew up across three very different parts of Canada—born in Saskatchewan, raised in Victoria, BC, and living in Montréal for over a decade. Those landscapes are all somewhere in his music. He was a regular listener of CBC's Brave New Waves as a teenager, and a summer in Japan in his early twenties cemented the idea that music could be a total environment, not just a backdrop. He spent years working seriously in cooking, abstract painting, photography, and filmmaking alongside production.

His mother's death in 2012 pushed music to the centre. He went deep into the dubstep and techno scenes in Vancouver and Montréal, then traveled to Los Angeles in 2016 to record his debut. The 1960 EP came out in late 2017.

In 2022 his father disappeared and was eventually confirmed dead. Ghosts of Uranium City (2024), recorded at Eightfold Studios, carries that weight directly. Built on the industrial dub techno of Basic Channel, Sandwell District, Rrose, and Silent Servant, it got attention for how plainly it dealt with grief without losing its physicality.

Cold Concrete, Warm Waters (March 2025) is where the work opens up. Still rooted in techno and dub, but more candid and more sensual than anything before it. It makes clear that the project is moving past what the genre usually allows. He's currently finishing his fourth album and lives in Montréal with his two cats, Elizabeth and Henry (Jennings).

Its drums ricochet with friction that never boils over into agitation… the physicality of grief… that emptiness is offset by the steadiness of the drums: isolation + presence. 'Ghosts of Uranium City' is an intense collection of songs, and a very lovely one.
— Molly Mary O'Brien, "I Enjoy Music"

The Sound

Solsten builds from field recordings, found percussion, and physical spaces, layering them into structures that feel both unfamiliar and inevitable. The low end is constant without being monotonous. The highs shift like weather over open ground. Albums are sequenced as whole statements, not track collections.

What separates the work from purely functional club music is a commitment to composition as revelation—a track should arc, breathe, develop an argument, arrive somewhere changed. That's always been there. What's shifting is the emotional temperature. Recent work moves toward the romantic and the sensual, set against the industrial and the austere.


FoundationalBasic Channel
IndustrialSandwell District
AtmosphericRrose
Dub / SensualSilent Servant
RomanticRoxy Music
Chain ReactionTresor / Berlin

For fans of: Demdike Stare · Burial · The KVB · Actress

Forthcoming

Rituals
of Revival

The fourth album takes its name from the small acts that keep people intact: sex, food, art, community, friendship. The rituals we return to because they return us to ourselves, in a world that works hard against that.

The last two records were shaped by grief and its long tail. This one is shaped by its opposite. Massive Attack is a reference for how emotional intimacy and physical music can share the same space; Phil Collins for a directness and warmth that the techno world rarely allows itself. The dub and techno foundation stays, but it's serving something more open, more pleasurable, more human.

Release date forthcoming via Eightfold Recordings.

Discography

Cold Concrete, Warm Waters
March 2025 — Eightfold Recordings — Latest Release

Cold Concrete,
Warm Waters

A continuation and a pivot at once. The industrial dub architecture is intact, but the emotional range has broadened and the personal has become visible in a way it wasn't before. The record moves between tension and release, sitting with discomfort and finding something warmer on the other side.

Tracks like Flesh & Dub show a wider frame of reference—Roxy Music's sensual romanticism processed through dub-heavy production into something that's distinctly his. This is where he fully becomes a recording artist rather than a producer working within a genre.

Listen on Bandcamp
Ghosts of Uranium City
2024 — Eightfold Recordings — Digital & CD

Ghosts of
Uranium City

Named after Canada's first uranium mining town, abandoned since 1990. It works in similarly desolate territory—what persists after loss, how grief takes on its own texture, what it means to build something out of wreckage. It got noticed for the balance between physical intensity and emotional precision.

Listen on Bandcamp
1960
EP
2017
2017 — Eightfold Recordings

1960 EP

Recorded in Los Angeles in 2016. The debut established the sonic vocabulary for everything after: textured industrial rhythms, deeply reverberant bass, and an atmosphere that suggests landscape as much as rhythm.

Listen on Bandcamp

Videos

White Butterfly (Rideau)
Snipers On Sunset
Cold Concrete, Warm Waters

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